Setting up of project OPENING PERFORMANCE ORCHESTRA
logo by jst
February 2006
Opening Performance Orchestra vznikl jako sedmičlenný soubor, který se téměř po dvou dekádách neveřejných hudebních i mimohudebních aktivit začal věnovat vlastní tvorbě a interpretaci hudební avantgardy 20. století končící u japonské hlukové scény. Vytváří vlastní hudební styl tzv. "fraction music", který definuje motto „žádná melodie - žádný rytmus - žádná harmonie“. Fraction music jako digitální forma hudebního vyjádření vytváří vlastní zvukové struktury – prostory, jejichž existence je závislá pouze na individuálním vnímání každého posluchače. Společnou se tak stává pouze vizuální projekce při živých vystoupeních.
Opening Performance Orchestra was formed as a seven-member ensemble, which, after nearly two decades of non-public musical and non-musical activities, began to devote itself to its own work and interpretation of 20th-century avant-garde music, ending with the Japanese noise scene. It creates its own style of music called "fraction music", defined by the motto "no melodies - no rhythms - no harmonies". Fraction music as a digital form of musical expression creates its own sound structures – spaces whose existence depends only on the individual perception of each listener. Thus, only the visual projection during live performances become a joint and shared experience.
Opening Performance Orchestra was formed as a seven-member ensemble, which, after nearly two decades of non-public musical and non-musical activities, began to devote itself to its own work and interpretation of 20th-century avant-garde music, ending with the Japanese noise scene. It creates its own style of music called "fraction music", defined by the motto "no melodies - no rhythms - no harmonies". Fraction music as a digital form of musical expression creates its own sound structures – spaces whose existence depends only on the individual perception of each listener. Thus, only the visual projection during live performances become a joint and shared experience.