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RATING - 1st ROUND |
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Back |
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1st ROUND |
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fs |
js |
in |
jst |
ks |
ld |
pk |
ps |
rd |
Average |
Order |
|
|
MO BOMA - Jijimuge |
04 |
4 |
3 |
|
2 |
|
1 |
5 |
1 |
3 |
2,714286 |
1 |
|
|
MERZBOW -
Music For Bondage Performance 2 |
05 |
1 |
4 |
|
3 |
|
5 |
2 |
3 |
1 |
2,714286 |
2 |
|
|
VIDNA OBMANA
- Echoing Delight |
01 |
5 |
1 |
|
1 |
|
3 |
4 |
2 |
4 |
2,857143 |
3 |
|
|
MERZBOW -
Music For Bondage Performance |
02 |
3 |
2 |
|
4 |
|
4 |
1 |
4 |
2 |
2,857143 |
4 |
|
|
FETISCH PARK
- Trost |
03 |
2 |
5 |
|
5 |
|
2 |
3 |
5 |
5 |
3,857143 |
5 |
|
|
MAJU - Maju
1 |
06 |
3 |
2 |
1 |
1 |
|
3 |
1 |
1 |
1 |
1,625 |
1 |
|
|
SCHÜTZE,
Paul - Deus Ex Machina |
09 |
1 |
3 |
2 |
2 |
|
5 |
3 |
3 |
2 |
2,625 |
2 |
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SOMA -
Stygian Vistas |
07 |
4 |
4 |
3 |
4 |
|
2 |
5 |
2 |
3 |
3,375 |
3 |
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FETISCH PARK
- Sporen / Binumb |
08 |
2 |
5 |
4 |
3 |
|
4 |
2 |
4 |
4 |
3,5 |
4 |
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KIEFER,
Christian - Welcome to the Hard Times |
10 |
5 |
1 |
|
5 |
|
1 |
4 |
5 |
5 |
3,714286 |
5 |
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SOCIAL
INTERIORS - Traces Of Mercury |
12 |
1 |
1 |
|
1 |
|
2 |
1 |
2 |
5 |
1,857143 |
1 |
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FETISCH PARK
- Alluvial |
14 |
2 |
2 |
|
2 |
|
4 |
2 |
3 |
3 |
2,571429 |
2 |
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MO BOMA -
Myths of the Near Future 2 |
15 |
4 |
4 |
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3 |
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5 |
3 |
1 |
1 |
3 |
3 |
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ETHER -
Music for Air Raids |
13 |
3 |
3 |
|
4 |
|
1 |
4 |
4 |
4 |
3,285714 |
4 |
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SCHÜTZE, Paul
- The Annihilating Angel |
11 |
5 |
5 |
|
5 |
|
3 |
5 |
5 |
2 |
4,285714 |
5 |
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MUSLIMGAUZE
- Citadel |
17 |
4 |
1 |
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3 |
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2 |
3 |
2 |
1 |
2,285714 |
1 |
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FIRE THIS
TIME - Dancing On John Way´ne Head |
18 |
3 |
2 |
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2 |
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1 |
2 |
3 |
3 |
2,285714 |
2 |
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C - SCHULZ -
4.Film Ton |
19 |
1 |
3 |
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1 |
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5 |
1 |
1 |
5 |
2,428571 |
3 |
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PABLO´S EYE
- You Have A Yeaming for Perfection |
20 |
2 |
5 |
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4 |
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4 |
4 |
4 |
2 |
3,571429 |
4 |
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LAND |
16 |
5 |
4 |
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5 |
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3 |
5 |
5 |
4 |
4,428571 |
5 |
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PABLO´S EYE
- You Love Chinese Food |
25 |
1 |
1 |
2 |
1 |
|
1 |
2 |
1 |
2 |
1,375 |
1 |
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LIGHTS IN A
FAT CITY - Sound Column |
23 |
3 |
2 |
1 |
2 |
|
4 |
4 |
3 |
3 |
2,75 |
2 |
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MO BOMA -
Myths of the Near Future 1 |
24 |
4 |
3 |
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5 |
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3 |
3 |
4 |
1 |
3,285714 |
3 |
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THACKER,
Eugene - Sketches for Biotech Research |
22 |
5 |
5 |
3 |
3 |
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5 |
1 |
2 |
5 |
3,625 |
4 |
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TISCHLER,
Stefan - Excess of Free Speech |
21 |
2 |
4 |
|
4 |
|
2 |
5 |
5 |
4 |
3,714286 |
5 |
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SCHÜTZE,
Paul - News Maps of Hell |
30 |
1 |
1 |
3 |
1 |
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5 |
1 |
1 |
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1,857143 |
1 |
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SOMA - The
Inner Cinema |
28 |
2 |
2 |
2 |
3 |
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1 |
2 |
3 |
|
2,142857 |
2 |
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SVERISSON,
Skuli - Seremonie |
26 |
4 |
3 |
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2 |
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3 |
5 |
2 |
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3,166667 |
3 |
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GROOVY |
27 |
3 |
4 |
4 |
4 |
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2 |
4 |
5 |
|
3,714286 |
4 |
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PIAS, Ed -
Ancestor´s Halo |
29 |
5 |
5 |
1 |
5 |
|
4 |
3 |
4 |
|
3,857143 |
5 |
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REYES, Jorge
- El Costumbre |
31 |
2 |
1 |
1 |
3 |
|
2 |
4 |
2 |
2 |
2,125 |
1 |
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HEEMANN,
Christoph - Invisible Barrier |
33 |
1 |
2 |
2 |
2 |
|
4 |
2 |
3 |
5 |
2,625 |
2 |
|
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OTOMO, Y. /
SACHIKO M - Filament 1 |
34 |
3 |
5 |
|
4 |
|
3 |
1 |
1 |
4 |
3 |
3 |
|
|
RUE, Rik -
Sample / Shuffle / Interplay |
32 |
5 |
3 |
4 |
1 |
|
5 |
3 |
4 |
1 |
3,25 |
4 |
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SHINJUKU
THIEF - Bloody Tourist |
35 |
4 |
4 |
3 |
5 |
|
1 |
5 |
5 |
3 |
3,75 |
5 |
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|
MAJU - Maju
2 |
38 |
2 |
1 |
1 |
2 |
|
1 |
1 |
1 |
2 |
1,375 |
1 |
|
|
SOCIAL
INTERIORS - The World Behind You |
40 |
1 |
4 |
|
1 |
|
3 |
2 |
2 |
3 |
2,285714 |
2 |
|
|
MO BOMA -
Myths of the Near Future 3 |
37 |
3 |
5 |
2 |
5 |
|
2 |
4 |
4 |
1 |
3,25 |
3 |
|
|
HIDEKI, Kato
- Hope & Despair |
36 |
4 |
2 |
3 |
3 |
|
4 |
5 |
5 |
4 |
3,75 |
4 |
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O´ROURKE, Jim
- Remove the Need |
39 |
5 |
3 |
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4 |
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5 |
3 |
3 |
5 |
4 |
5 |
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